Our Reviews.

Don’t be a pussy and moan just because you like shit music.

Cowboy Carter - Beyoncé

Reviewed on 04/04/24 by Ben

I got busy again but I am actually going to try from now on, I swear. I decided to do Cowboy Carter because I haven’t listened to Beyoncé since Lemonade and this whole album concept is wacky as fuck. Beyoncé you have my attention.

27 FUCKING SONGS JESUS CHRIST. Starting off is ‘AMERIICAN REQUIEM’ and it’s kinda funky, evidently an introduction to the album but I fuck with it, not country like I expected but more gospel-orientated. ‘BLACKBIIRD’ is a Beatles song and should’ve stayed that way. Blackbird will now likely be remembered by the white Gen-X women of the world as a Beyoncé song and I don’t like that, you watch. ’16 CARRIAGES’ is a light and wispy country-esk track that I will forget immediately. ‘PROTECTOR’ what is happening. I know it’s a cowboy themed album but I literally wouldn’t be able to tell you it was Beyoncé it’s just country music but sadder for some reason. ‘MY ROSE’ an interlude followed by ‘SMOKE HOUR - WILLIE NELSON’ another cool interlude. ‘TEXAS HOLD ‘EM’ is the most upbeat and hoedown type danceable song so far, I kinda fuck with it but I have no idea when I would play this, maybe at an afters - stoned. ‘BODYGUARD’ I like this song a lot already, it’s got a jive to it, upbeat and funky but sticking mildly to the country. I actually fuck with this hard, reminds me of Prince a bit it’s the best song so far. ‘DOLLY P’ interlude again. ‘JOLENE’ is a cool cover, but we know this song already. Dolly Parton still kicking, respect. ‘DAUGHTER’ is sad as hell, not for me. ‘SPAGHETTII’ felt like a movie, this track went off. Literally nothing like any of the songs so far but Beyoncé can spit and I’m here for it. 

From now on I will just tell you the tracks I like and really don’t cos this will be a long as hell otherwise. Favourite tracks are ‘BODYGUARD’, ‘SPAGHETTII’ and ‘RIIVERDANCE’ My least favourite tracks include ‘DAUGHTER’, ‘YA YA’ and ‘PROTECTOR’. 

As far as a concept album goes, I didn’t hate it. There’s definitely a demographic out there for this type of shit but it isn’t me. Lots of the tracks were definitely way too similar and I’ve already forgotten half of them, but kudos to Beyoncé, few would be able to pull off a mainstream genre-bender this out of pocket, so well done I suppose, its not terrible.

Listenability - 6.5/10

Partyability - 1.5/10

Vibe - If Destiny’s Child originated in Texas

Overall - 5/10

Cordi Elba - Lime Cordiale, Idris Elba

Reviewed on 01/01/24 by Ben

Hey. It’s been a while. A lot has happened since I wrote my last review. I graduated, got a job, quit my job, moved to Australia and that’s that. Anyway, happy 2024. This year I will be writing a review for every single day of the year. Or I’ll try.

Thought we’d kick things back off with Cordi Elba, the collaboration EP from Aussie rock-duo Lime Cordiale and ‘Luther’ superstar Idris Elba?? I know it’s weird but that’s why I’m reviewing. Apparently Idris thought the music of Lime Cordiale was “FIRE” and that is how this project came to be. A brief 6-song EP and kicking off, I really like it. It has the typical Lime Cordiale sound, but it has a significantly noticeable electro-rock feel, integrating afro-beats and reggae drums, courtesy of Elba. The whole project is fun, you can tell they had fun making this. It’s jazzy, jumpy and genuinely quite catchy. Idris Elba slots into this album perfectly, giving it an MGMT/Gorilla’s/Streets feel with his deep spoken raspy melodies and raps, I rate it. Favourite track is definitely ‘What’s Not To Like’, it’s the perfect coming of age track, but feels raw and gives you that ‘oomph’ feeling, you know the one. I’ve been bumping it for a few days now, some of the tracks are easily passable, but given the short time-frame the Lime Cordiale boys had in the studio with Elba (3 hours), this is a really solid EP. 

Anyway, give this a listen. It’s weird, fun and will get you in the mood to seize the day. 

Listenability - 9/10

Partyability - 7/10

Vibe - Southbank Bridge (look it up)

Overall - 7.5/10

Moment Of Truth - Gang Starr

Reviewed on 23/06/23 by Ben

Get the fuck in baby I love Gang Starr and today is the lucky day you get to hear me blag on about it.

Moment Of Truth is the 1998 album from rapper duo and lyricists Gang Starr, my boys. The whole album is great, it’s an hour of bliss, it’s an hour of joy, it’s an hour of violent scratching and spat bars that go hard and hit home. We’re doing East Coast week again, starting today. This album is so battle-rap it’s unreal. People ask me ‘you know Nas?’, I reply ‘you know Gang Starr?’. I’m doing you a favour.  It’s low-key, it’s in your face, it’s the optima of an era, a period of time, the behind-the-MTV-scenes, your favourite rap duo you never knew, or might’ve, they are quite well known. This is the perfect smoking tape, the album blends together so well, it has the high’s and the low’s but will put you in a good mood. I want to be sitting in a deck chair on some hot concrete just on my re-listen. It’s a head-bopper.

I won’t talk too much more, I think you get the idea, I couldn’t recommend Gang Starr enough.

Listenability - 9.5/10

Partyability - 7/10

Vibe - Deck Chairing

Overall - 9/10

Kut Da Fan On - Hotboii

Reviewed on 22/06/23 by Ben

I’m back, I graduated, the usual shit. We didn’t do east coast week.

Anyway, I don’t know what possessed me to review Hotboii, for those of you unfortunate enough to never listen to Hotboii, he’s like NBA YoungBoy’s little brother, and the music is really not that great. I’ve always been hesitant of this 2016 trap style carried through into today’s day and age, hence why my initial impression of Kut Da Fan On was not good.

HOWEVER. I don’t mind this album. It’s slightly more lyrically and musically advanced than your usual SoundCloud trap shit, and personally I think the album is an acquired vibe. Now don’t get me wrong, some of these songs are hot trash, but others I find myself bopping along like the white boy I am. Hotboii on this album incorporates a lot of bells, and bouncy 808’s that carry the majority of the tracks, which isn’t anything crazy but it’s catchy.

The difference between this album and your standard NBA YoungBoy & Moneybagg Yo’s is that Hotboii is genuinely quite talented at formulating catchy hooks. The guy is really melodic despite how he looks, and it brings a whole new life to the tracks. It doesn’t quite rescue the album, but was the album ever doomed? Did it do what it set out to do? As far as I’m concerned this is genuinely a solid effort and one of the better album’s from that SoundCloud trap genre. I’m not sure how I feel about liking this album but I just do.

It’s catchy, it’s simple, it’s autotuned to high hell yet it works. It does what it says on the tin, and I was surprisingly impressed after a while. My favourite track is ‘Noun’, I have that shit on rotation at the moment and it goes really hard. Start with that. Kut? Put? Fuck knows.

Listenability - 5/10

Partyability - 5.5/10

Vibe - PUT NOT KUT

Overall - 5/10

Vacation In Hell - Flatbush Zombies

Reviewed on 01/05/2023 by Ben

Fuck you I’m doing a Flatbush Zombies album.

I love Flatbush Zombies. Like seriously love Flatbush Zombies. The personality, the tracks, the colour, the vibe, the aesthetic, the hooks, the beats, the modern East Coast representation and the John Leguizamo. I haven’t got a bad word to say about them.I’m not even a die-hard fan I just really enjoy their music.

‘Vacation In Hell’ is the 2018 release from members Erick the Architect, Meechy Darko and Zombie Juice and is the second studio album release from the trio. This album to me is an encapsulation and preservation of the East-Coast style of rap, translated to a modern audience. It’s not Wu-Tang, it’s not ASAP but it’s culmination of a multitude of influences that have resulted in a lovely product for us to enjoy. This album is my favourite from the trio, particularly on this album I feel like the boys really capitalised on their unique talents, Erick went crazy on the lyricism, Meechy Darko brought more grit than ever and Zombie Juice just had fun, bringing catchy bars to the tracks every time.

The album has its flaws, and one of the problems I found hardest to get over on my first listen was the blandness. I know this contradicts everything I said before, but on first listen Flatbush Zombies miss a lot of opportunities to hit harder than they do with their flows. However, this is made up for on other tracks where the flow is just insane and hits stupid hard. Once you come to terms with this, you find charm within the tracks that are missing something, and you learn to love the craft as opposed to the desire for an instant hit. That is very pretentious of me to say but it’s true, suck it up. This was my relationship with this album on first listen, over time I have seriously developed an affliction to this album I think I would struggle to find with many others. The music is good, but it’s just everything that goes with it. It’s the kind of album you just know was heaps of fun to make, and you feel that through listening. I want to hang out with these guys. It also helps that some tracks just bump. I wish everyone loved Flatbush Zombies. I want to get drunk and just bang these tracks all night with people in the same boat. 

That’s my take on this album, I can’t pick a favourite so I leave you with this; just hear it out, then hear it out again. It’s worth it.

Listenability - 7.5/10

Partyability - 7/10

Vibe - ‘THE’ VIBE

Overall - 8/10

EDIT: I enjoyed this so much I think we’re going to do an East Coast bangers week starting today.

I’ll listen to some classic East Coast rap albums for the next week and review because I want to.

Thank You For Attending - Deb Never

Reviewed on 30/04/2023 by Ben

Yeah I disappeared for a very long time, shit started happening and I just forgot. This daily reviewing is harder than it looks. Think of it from my point of view. The writing actually only takes about 15 minutes because I’ve got better things to do, however I’ve still got to listen to the damn album. That can take a while (looking at you Donda). 

Anyway, I thought I’d start back with an artist I’m very fond of, a Ms. Deb Never. I’ve always had a place in my heart set for Deb Never. To many her music would be received as a mix of dark and sad hyper-pop, which in a way it is. However, I think it is about perception. I’ve never listened to Deb Never because I’m feeling miserable or angry, I think her music just hits very hard, the hooks are catchy, it’s always very well produced, and Deb herself always seems to be having a good time making the music, the complete opposite of the impression her music gives. To me it’s like a happy-sadness, coming to terms with emotion and being ok with it, as opposed to letting them consume you. 

So, her new EP “Thank You For Attending’ is six new tracks, all of which in my opinion are quite good, some obviously better than others. The EP doesn’t break the boundaries of what is already known about Deb Never’s music. It is a similar mood to the rest of her music, but more of something you enjoy is never a bad thing. Since I didn’t anticipate, or count down the days for this EP, there isn’t any disappointment involved, it’s just adding songs to my Deb Never rotation. 

I think this EP is fuller. I don’t know exactly what that means, but it’s beefier in production, sound and lyrical baggage. I also like Deb Never’s aesthetic, particularly her relationship with art and visual escapades. This album continues to encapsulate that. My favourite track on the album is ‘Mania & Bliss’. This is probably the most unique song on the album. It sounds like a Mura Masa track, with very erratic and raw production and I found it very catchy, I also enjoyed ‘Paper Houses’. I would also like to add that I think Deb Never is a very talented singer. She doesn’t over-do it but carries this talent lightly and effortlessly. I have a thing about people over-doing singing, it’s just a bit errr for me. 

There you have it. Listen to this if you like Deb Never, it isn’t anything crazy. I do think if Deb Never wants to break into the mainstream a bit more she will have to switch-up what she does a little bit, but for now she is a pleasant secret for listeners like you and I. I look forward to a new album. 

Listenability - 8/10

Partyability - 2/10

Vibe - A Cosy & Rainy Sunday

Overall - 6.5/10

第一集 - ZULTUTOZURETERUZ

Reviewed on 23/01/2023 by Ben

Right I’m not going to lie. I have absolutely no idea what any of the songs are called, what the album is called or who these people are. This album came up on my recommended on Spotify and I’m really happy it did. This album actually slaps. It’s really fucking funky, and the group have some serious bars being spat over the top. It’s like a strange fever-dream. I don’t really have too much to say otherwise, but I listened to the whole thing and it was great. I did some googling and apparently this group is called ‘ZULTUTOZURETERUZ’ from Japan. How fun. Anyway, the sound they carry is really unique, it’s like rock and hiphop with a Japanese twist and works really well. From the sound alone it’s like The White Stripes meet The Streets. It’s so weird and I love it.

You all also know that I am a stickler for cool album covers, and I know what I said about Eric Burdon & War, but this shit goes hard. I honestly might buy this record I love it so much. Whilst I cannot really explain much more to you about this record, know this, this album is self-proclaimed “GOOD SHIT”. I love it.

Listenability - 7.9/10

Partyability - 3.5/10

Vibe - God Knows

Overall - 7.5/10

The Best Of - Eric Burdon & War

Reviewed on 22/01/2023 by Ben

For starters, this album cover might be my favourite of all time. It’s just really fucking cool.

Anyway, this compilation is from the three years vocalist and legend Eric Burdon spent with funk-based backing band War during the 1970’s. It is a cumulation of 70’s groove with rich throaty vocals that just makes you feel good. The album (nay, compilation) is just full of bouncy, energetic and fun tracks that just hit the spot when you’re in the mood for it. If you’re on the fence about how your day is going, stick on some Eric Burdon & War and how you feel after will tell you so. The album capitalised on the soul rush during the 70’s with the added prowess of Eric Burdon. An unlikely match-up, but one that worked a charm in my opinion. There are pretty standard soul tracks dotted throughout the compilation, and some tracks that are just really damn catchy which I found myself humming in my sleep. This album is just really great. It’s a groove, it’s an enigma and it’s an experience I’m pleased I can share with you. Some of the best tracks include ‘Tobacco Road’, ‘Spill The Wine’ and ‘Bare Back Ride’. Give this a listen if you like Sly & The Family Stone or Parliament. You won’t be disappointed.

Listenability - 8.6/10

Partyability - 3.3/10

Vibe - Good ones

Overall - 7.5/10

Tea for the Tillerman - Yusuf / Cat Stevens

Reviewed on 21/01/2023 by Ben

A perfect album.

Listenability - 11/10

Partyability - 0/10

Vibe - Yes

Overall - 10/10

One of My Kind -

Conor Oberst & The Mystic Valley Band

Reviewed on 20/01/2023 by Ben

Conor Oberst is a veteran in testing the boundary between folk and rock music producing a hybrid that is a great pleasure to listen to. Dubbed by myself as runaway rock, ‘One of My Kind’ encompasses putrid Californian summers, sticky heat and better times. The second album conceived by Conor & his Mystic Valley Band, this album has influences from all over the shop. I get Hall & Oats mixed with Bowie mixed with 80’s Era Rolling Stones all topped with a folky twang. The album is a great listening experience, but I do feel that it infrequently stretches outside of the realm that is known. There isn’t anything particularly unique about this album, which is ok, but I was hoping for more from the man that co-produced ‘Better Oblivion Community Centre’ which in my opinion is a masterpiece. If you give that album a listen, you will understand why I am slightly disappointed. Despite this, as far as a “folk-rock” album goes, it’s a pretty reliable commodity. Favourites from the album include ‘Phil’s Song (Learn to Stop Time)’ and ‘Normal’, both of which I feel break the album up quite nicely. Not a bad album, not a great one. Enjoyable all the same.

Listenability - 6/10

Partyability - 2/10

Vibe - Rango the Movie

Overall - 4.5/10

Infidels - Bob Dylan

Reviewed on 19/01/2023 by Ben

Fuck me everyone I need a break. I’m doing a Bob Dylan album because I love Bob Dylan and I haven’t got the brain capacity anymore to actually think about what I’m going to say. I’m also providing you with an incredible album I reckon you should all listen to. Infidels is one of the later Dylan albums, released in 1983, during what many call his ‘electric era’. At the time, most people hated this side of Bob Dylan, but god damn did it age well. Infidels is one of my favourite albums, the songs are well-composed, lyrically fresh, catchy and just a really good listen. I know I sound pretentious, but to me this album signified the re-birth of Dylan’s, at the time, relatively stagnant album release schedule between Infidels and Desire (1976). The album took a step back from the over-use of electric, and returned to the folk-rocking, blues-playing and energy that could be recognised in Dylan’s earlier work. The album still retains some of that at-the-time-modern rock and roll but it is subtle. The album still retains that old-timey Bob Dylan that people REALLY enjoyed. I haven’t really got much else to say here really. It’s just a great album, and a nice break for me.

Listenability - 9.5/10

Partyability - 1/10

Vibe - Cowboy Movie Montage

Overall - 9/10

Changes - King Gizzard & The Lizard Wizard

Reviewed on 18/01/2023 by Ben

I’ve now done 5 of these today. Suggested to me by a friend I am listening to Changes by the wonderful King Gizzard & The Lizard Wizard. This is the newest album by the Australian indie legends, and it starts off with a thirteen minute intro track, which whilst long was quite enjoyable. I made a cup of tea, some notes, did some laundry, walked the dog and drove to Burnley in that time. (Disclaimer: I have not and will not ever go to Burnley).

Anyway, so far this album is playing out to be very bluesy, and I like it. There are loads of weird instruments I can hear and I couldn’t tell you what they are. Psych rock is correct, this album is a weird culmination of a bunch of weird shit collected together and glued together by funky interludes of brass instruments, guitar licks, synths, woodblocks and whatever else. I like it a lot. I stopped here because I don’t really know what to say. I can’t pinpoint exactly what is its about this album but it’s just weird in like a really enjoyable way, one minute I’m sensing disco, one minute it’s rock orientated and then it feels like a soul album. Either way, it’s danceable, fun and would be perfect for a long drive or having a couple of bevvies with the boys on the front porch during a heatwave. This is me pining for summer, northern winters are shockingly shitty and I would like to be able to sit outside without losing a foot to frostbite. This is a solid album, not their best work, but if you want something to switch-up your regular scheduled listening this is the album to do it (there is a song called astroturf). Goodbye.

Listenability - 6/10

Partyability - 2/10

Vibe - Not even going to try

Overall - 5.8/10

Cécé - Célia Tiab

Reviewed on 17/01/2023 by Ben (always seems to be by Ben)

Cécé is the jazz/soul/indie EP from French and Irish musician and producer Célia Tiab released in 2022 as her first independent project. Relatively under-appreciated, Célia Tiab has her fingers in a lot of pies in the Irish indie scene, lending a hand to the likes of Kojaque, Gaptoof and 1000 beasts. The EP is really short, and provides a lovely sample of what we can expect to hear from Célia. It’s low-fi and it’s raw. The sound is simple, with a layer of complexity laid over each track through melodic hooks which really are quite beautiful. The EP has an aurora of calm, like sailing across a flat, peaceful ocean. My favourite track on the EP is ‘It’s Not Always Easy’ coming in as the fifth and final track on this short EP. Compared to the soft, humbling tracks making up the rest of the EP, this track retains elements of this, but introduces booming church drums, some hardcore jazz piano and funky guitar licks to send the album home. I think it is a contrast that works really well, it shows Célia isn’t just your average singer/songwriter and came to play. I liked this EP a lot. I’m quite excited for new music to be announced. I’m aware I say this a lot but sue me, I’m optimistic.

Listenability - 9/10

Partyability - 1/10

Vibe - Sailing the French Riviera

Overall - 8/10

Soul Trash - Toro y Moi

Reviewed on 16/01/2023 by Ben

I’m writing ten of these reviews today to catch-up, which means ten albums, and many many hours of my time. I hope you are happy. They will get shorter, and they will get more delusional at least up until the 25th so just let it happen.

Anyway, Soul Trash is the 24 minute, 9th studio album from producer and artist Chaz Bear, AKA Toro y Moi. The album is a journey of musical optimism and experimental. It is genre bending whilst remaining within the boundaries of hip/hop and electronica. Lyrically the album has many different independent artists feature, with different vocal types, flows and vibe which complement the tracks and album as a whole quite nicely. The album is volatile, with some tracks mellow, and others much more in your face. The whole album reminds me of Rodeo by Travis Scott in the way that it has been put together, and the production style. It is solid album, but it is missing the oomphf that I was looking for from Toro y Moi that I found with 2022’s MAHAL. Despite all this trash talk, ultimately the album is quite a nice vibe and if I had to pick you a time and a place, I’d suggest listening during studying. I can imagine it would be quite nice for that. Don’t put this on at a party or a large social gathering, people WILL come up to you and they WILL ask if you’re doing alright, and probably put their hand on your shoulder. Especially if you tell them the name of the song is ‘castaway_tron_hifi_v2’ or ‘4-26-18_tonys_drewbanga_hifi’. With that being said, it’s a meh from me.

Listenability - 7/10

Partyability - 3.5/10

Vibe - Like hipster charity shop music kind of thing?

Overall - 6/10

Eternal Atake - Lil Uzi Vert

Reviewed on 15/01/2023 by Ben

I know there has been a delay on these uploads, but I’m now free from the shackles of work and intend to keep writing these reviews whether you like it or not. Today I decided to do Eternal Atake, because as a Lil Uzi fan of many years, this album was received very differently by many people. Now three years old, this album I personally believe has aged rather like a fine wine. It is a space-fuelled follow up to Lil Uzi Vert vs. The World and was one of the most anticipated releases by fans in 2020. However, it was this hype that left fans disappointed on its release. It had no immediate hits such as ‘XO Tour Llif3’ however over time the album has grown to be loved by many, producing some very popular tracks as of today, such as ‘Baby Pluto’ and ‘Futsal Shuffle 2020’.

The album is a pop-rap fusion, with a very deliberate synthetic and spacey sound throughout. Some tracks are very forgettable, and I have found those to be the tracks where Lil Uzi just tends to repeat himself quite a lot. This has been a common trend throughout Uzi’s discography though, which I suppose separates the die-hard fans from fuckwads like me. The production throughout the album is still good though and the whole album carries quite a fun vibe. It isn’t particularly somber at any point, and Uzi just seems to be having fun with it. I am a fan of this album, but some of the tracks don’t quite hit and slipped right through the cracks. On returning to this album, these tracks I’m unfamiliar with aren’t unpleasant to listen to, they just aren’t anything special in my humble opinion.

I don’t think this album tops any Uzi release prior to it, but it is still a rap/hyperpop staple.

Listenability - 6.5/10

Partyability - 6.5/10

Vibe - Futurama soundtrack

Overall - 6.5/10

Moxie Bravo - The High Strung

Reviewed on 14/01/2023 by Ben

Released in 2005, ‘The High Strung’ by quintet Moxie Bravo is a direct insight into the hard-hitting riff centric rock-n-roll of the American suburb. Sun-beaten, hot cement smelling rock and roll, this album definitely is by the streets for the streets. The album hasn’t gained much traction since its release, but could be regarded as a hidden gem. Whilst I think the hearty riffs that pound your ears amongst the powerful, over-driven chords and the battering of drums is definitely something fans of rock-and-roll would enjoy, the album is missing something. In listening, many of the tracks did not differentiate and took a copy-and-paste formulaic approach. Despite this, the songs that deviated from this really did hit a home-run. ‘Deck The Boy’ and ‘The Luck You Got’ are prime examples of tracks that illustrated what The High Strung are made of. However, as a whole the album is like a catwalk into the depths of rock-and-roll, definitely taking inspiration from the wit and charm of the Rolling Stones, whilst encapsulating a similar musical style and punch of classic rock-and-roll transported into the now not-so-modern day.

Basically, I enjoyed this album but I don’t think it is a staple album of the genre. It is pleasurable and a very good album to touch base with once in a while but it does not stand-out to me. I also don’t think it is very fitting for many social occasions, boding more of a punch the pillow when you’re alone type deal, but that’s fine by me. A good listen.

Listenability - 6.5/10

Partyability - 3/10

Vibe - Hot pavements and sunburn

Overall - 5.5/10

What Box? - Terry Presume

Reviewed on 13/01/2023 by Ben

Terry Presume is a hugely underrated artist in my opinion. The multi-talented rapper/artist/producer has been in the scene for a very long time without any real exposure. His one and only EP ‘What Box?’ Is an incredible statement of the talent and diversity Terry is capable of in his music, described as ‘a Cosmic Cocktail of Emotional Catharsis’. A short EP, only 6 songs and 20 minutes wrong covers all aspects of differing rapping styles. Some songs are slower, more passionate and very well produced, with others being more rugged, upbeat and in your face. This EP really does cater to the masses. My favourite track on the EP by far is ‘None of This Alone’ closely followed up by ‘Act Up’. ‘None of This Alone’ is a heartfelt, melodic yet bouncy track where Terry dictates his experiences with love and his experience with past experiences from a very meloncoly standpoint, it is catchy and almost transcends the rap genre sounding almost folk-inspired. ‘Act Up’ however is the polar opposite. Whilst still discussing the topic of women and relationships, Terry takes a much more fuck-you attitude in this funky staple of the EP, the hook is definitely mainstream levels of catchy, and will leave you wanting to listen to more of Terry’s discography.

Ultimately, I think Terry is ahead of his time, and I look forward to the day when he gets his big break.

Listenability - 8/10

Partyability - 6/10

Vibe - Free-floating

Overall - 7.5/10

000 CHANNEL BLACK - _BY.ALEXANDER

Reviewed on 12/01/2023 by Ben

Hello worms, I am back. I took the piss for ages but I promise you I haven’t given up, shit just gets busy and all that. Anyway, this is the first album review of the year and I’m going to try my best to keep with our regular scheduled daily uploads, however I can guarantee that this will not be the case. Sorry.

000 CHANNEL BLACK is the one and only album released by British born producer, fashion designer and all round mad cunt _BY.ALEXANDER. The album was released in 2020 and I’m only listening to it now and I honestly am disappointed in myself. I love this album. It is a mix of soft jazz, hollow sounding yet warm drums and a mellow bouncy vibe. The album carries a weirdly French thematic throughout, with interludes and VOX almost telling a story intertwined throughout the music. The album isn’t exactly the jazz you’d think it would be though, some songs almost have a garage feel to them and are a lot bouncier than other smooth tracks. I like this. It is like some weird jazz fusion with whatever Alex da kid fancied listening to and piecing together in a way similar to fine art. The baselines throughout are very unique and the often recurring soft piano that compliments it is very bluesy with ode’s to Frank Sinatra all the way to Etta James. The album is like a time capsule, implementing and mixing older styles and musical technique with modern hooks, melodies and instruments. It really is a unique album and imposes a very relaxing atmosphere, particularly when on in the background. Some favourite tracks of mine are the slower ones, ‘BLOOM IN PARIS’ and ‘à l’extérieur’ to name a few. I would recommend this album to anybody investigating the “jazz rap” genre or just looking for a standalone, unique album to listen to.

Listenability - 9/10

Partyability - 3/10

Vibe - It’s its own vibe

Overall - 8.5/10

The Girl, the Cat and the Tree -

LAUSSE THE CAT

Reviewed on 16/11/2022 by Ben

Guess what. I took a month off again. I forgot about this website because apparently we are supposed to spend all our time on a so-called dissertation. Anyway, this album is great. It’s a perfect ode to that soft hip-hop genre yet it doesn’t have that copy and paste sound that I found many artists in the genre have. The album is integrated with vocal tracks, sounding like a discussion between Lausse and someone unbeknownst to us which tells a tale throughout as Lausse discusses love, loss and problems with addiction. You can tell Lausse put his all into this album, and it has paid off. The beats are funky and subtle, with unique instrumentals and beat switches allowing the listener to actually differentiate from the tracks. Soft kicks and unique drum patterns alongside beautiful melodies also make this album very easy listening. I would use Loyle Carner as a good comparative to this album. Plus, the aesthetic throughout this album is majestic. It’s a loud-yet-quiet story book filled with colour and pictures, with dark tales of struggle and success all through the pen of Lausse The Cat, which translated to song in a way a lot of other artists struggle. I think this is the perfect album for any alone time, or just chilling out with friends. Since the release of this album in 2018 there has been no hints of another bar a few singles. I hope to see another album from Lausse as I thoroughly enjoyed this album from start to finish.

Listenability - 8/10

Partyability - 4/10

Vibe - Chilling under a tree or something idk

Overall - 7/10

demon time - Mura Masa

Reviewed on 30/09/2022 by Ben

I know, I took another 2 month hiatus. Get over it. Today I’ve decided to review the long awaited album from Guernsey producer Mura Masa. His last album R.YC was a great display of his production ability and diversity he implements into his music. R.Y.C didn’t gain as much attention as the first self-titled album Mura Masa, but I think it was an important evolutionary step for Mura Masa and I am excited to see what ‘demon time’ will illustrate. For the most part, I have enjoyed all the pre-release singles that Mura Masa has released before the drop of this album ‘bbycakes’ and ‘blessing me’ were two that particularly stood out to me with great features throughout the album.

Anyway, so far, this album is a showcase of unique production with very colourful and animated beats that are bouncy, full-on but still quite genre-specific showcasing to a lesser degree Mura Masa’s trademark production but with a very video-game-esk kind of feel. I’m not disliking the album so far. It is very in your face and bizarre, but not weird enough that your mates look at you funny when it comes on the car. So far, my favourite track is ‘up all week’ with slowthai. I think that slowthai’s dynamic ability to adjust well to any kind of track, paired with Mura Masa’s production makes this is very unique and funky track.

However, despite all the raving I have been doing about this album, it is an acquired taste. Some tracks didn’t quite resonate with me in the same way as others, and I think you would struggle to thoroughly enjoy this album from the first listen. It also feels more like an art project as opposed to an album you play in a social setting, unlike ‘Mura Masa’ which had some very playable tracks that are still big hits today. To conclude, it’s ok. I liked some and didn’t like others. I would leave this album open to your own personal interpretation.

Listenability - 5.5/10

Partyability - 3.5/10

Vibe - If rainbow road in Mario was an album

Overall - 6/10

Remain In Light - Talking Heads

Reviewed on 30/07/2022 by Ben

Remain in Light is weird everyone, but is it in a good way? Talking Heads have been around the block for a while and are pretty well known as I’m sure you are aware. This album is the fourth album of the ensemble, and begins with the track ‘Born Under Punches (The Heat Goes On)” which is an interesting introduction. Snappy guitars, mild synthesiser undertones and drums reminiscent to the Afro-Beat genre this album thus far has been an ideal representation of New Wave in the 1980’s. The album feels experimental, with unique production and sounds which don’t always work in all cases, but isn’t displeasing to listen to either. The Talking Heads have also managed to maintain elements of classic punk-rocking throughout, not straying too far from what they know. I think some of the tracks such as ‘The Overload’ and ‘Seen and Not Seen’ lack some excitement. I found many of the tracks are quite repetitive in their lyrics, which is artistic expression to some, annoying to others. I.E me. Some of the tracks are also very long but that’s not necessarily the worst thing in the world. I didn’t dislike this album, but I didn’t particularly enjoy it either. It was weird but not necessarily in a bad way, it felt rushed and quick and I felt like I was listening to everything at 2x speed but despite this there is some interesting “New Wave” style integrated throughout which makes this album interesting to listen to if anything. I did like some tracks though but ultimately it is a meh from me.

Listenability - 5/10

Partyability - 2/10

Vibe - Montage on a space hopper

Overall - 4/10

I Don’t Run - Hinds

Reviewed on 29/07/2022 by Ben

Regarded as one of the greatest low-fi albums of all time, I Don’t Run is the third album from Spanish indie-rock quartet Hinds and is in my opinion a necessary summer album. Since this bastard heatwave I have been sweating beyond belief forcing myself to make the most of the sunshine, but it just gets too hot. However, as we all know as soon as it hits late afternoon, and the sun is clocking out for the day the heat becomes rather pleasant and you feel inclined to find an ocean of some sort. This album describes that feeling of perfect temperature, weather, circumstance and inclination to kick back and relax without dying a sweaty death in the heat. I apologise for the in-depth analogy but this album is the perfect companion for these very niche circumstances. It is very basic in its core elements, bass-vocals-guitar-drums, but it’s playful yet mellow with driven choruses that are powerful yet not in your face. Arguably, some of the songs do make it difficult to differentiate between songs, but after a few listens you’ll figure it out. In my opinion Hinds have created something quite special from a very saturated genre. They have added a unique twist to the indie-rock/low-fi/beach-rock genre whilst keeping it within the realms of sanity and haven’t taken it too far. Keep this one in the back pocket for the next heatwave.

Listenability - 8/10

Partyability - 5/10

Vibe - Just read the review I think I made it very clear.

Overall - 7.5/10

Tattoo You - Rolling Stones

Reviewed on 28/07/2022 by Ben

The Rolling Stones today, you can’t go wrong in my opinion. I’m gonna keep this one short because I have provided a few album reviews that have been longer than needed recently, and I’m late to pick the kids up from school so here is a quick one. ‘Tattoo You’ is great, it’s like an ode to great 80’s rock and roll, and is a classic example of what the The Rolling Stones do, which is make great music. I’ve listened to this album many times before, so I’m just going to list a couple of my favourite tracks for you to have a gander and a listen if you feel the need to. Personally I like ‘Hang Fire’ for it’s to-and-fro nature and upbeat Chuck Berry feel which I think is great to blast in the car. Another one of my favourites is ‘Neighbours’ for that jumpy rock and roll feel. Another commendable mention is ‘Worried About You’ a slower take but still a favourite of mine. In my opinion there isn’t really a bad track on this album, but if I had to choose I’d say ‘Black Limousine’ just for it’s lack of oomph that the majority of this album provides.

Despite this, the album is great and I would highly recommend.

Listenability - 8/10

Partyability - 4.5/10

Vibe - Motorway Driving

Overall - 7.5/10

Gris Gris - Dr. John

Reviewed on 27/07/2022 by Ben

It’s my birthday today so I’m reviewing Dr. John because I like it and I can. The album ‘Gris Gris’ came out in 1968, and is the first from the doctor of funk and self-proclaimed ‘night tripper’ Dr. John. The album begins slow, with an almost tribal introduction with heavy emphasis on the ambient drums, and light distant guitar riffs. It’s almost unsettling and makes you wonder what you’ve gotten yourself into. Following this however is ‘Dance Kalinda Ba Doom’ which is arguably the polar opposite of the first track, sounding like a Russian folk tune, the track has quick and light drumming with that chanting and fast piccolo sound commonly heard in that style of music. Weird, but I like it so far. Now ‘Mama Roux’ is more typical of the Dr. John we know. Quaint yet funky, it feels almost Caribbean and could be used on a Surf’s Up soundtrack in my opinion. Very good. You would not think this album is one of the 1960’s. ‘Danse Fambeaux’ sounds like it could be played in a French bistro.

The variability in this album is honestly impressive, especially that Dr. John has managed to still make it flow without it sounding like a compilation as opposed to an album. ‘Croker Courtbullion’ is different again, capitalising on the flute, or the fancy version of. I can’t remember the name. Slow, subtle and almost relaxing this is a track to integrate the album together rather than showcase something different. ‘Jump Sturdy’ was a short filler track, and one of the only one’s that Dr. John felt the need to sing on. I liked this one a lot, it was quite representative of the 60’s and it wasn’t unnecessarily long either. Quite similar to the likes of Randy Newman in my opinion. The final track on this album ‘I Walk On Guilded Splinters’ is the long outtro to this album and isn’t anything crazy, it was a prolonged version of the song before it, which wasn’t bad, but I wanted a little more. Not a bad album, but I did expect kookier from the likes of Dr. John.

Listenability - 5.5/10

Partyability - 2/10

Vibe - Voodoo Surf’s Up Penguins

Overall - 5/10

The Way Of Ging - Frank Dukes

Reviewed on 26/07/2022 by Ben

‘The Way Of Ging’ is the first and only album from small faceless artist Frank Dukes, who from first impression from the first single, ‘Hi, I’m Frank Dukes’ serving as an introduction to the artist, is an electro/indietronica production heavy artist, similar to the likes of Flume. So far in this album, there hasn’t been any vocals, and the majority of songs have been quite spacey and subtle ode’s to the genre of indietronica. My favourite track so far is ‘A Likkle Prince’ which shows some variability, taking a funkier approach as opposed to the almost dark nature of the other tracks in this album. I’m not hating this album, it’s experimental nature indicates very bedroom-heavy production from a small artist, but as you know I do enjoy tracks with some meat and potatoes rather than just one or the other, so the lack of vocals knocks this album down a peg for me. I like the album cover, I think it compliments the album very well it’s just a shame that the album is so short and feels kind of half-hearted. There’s not really much more to say about this album after that. It is 16 minutes long, and most tracks follow a similar dark, electronic basis with only small variability amongst tracks which even some die-hard fans might struggle to be able to tell the difference. Other than that, it is an A for effort, but I doubt this is one that I will be listening to again. If indietronica is your thing, try it out. If not, I’d give it a pass. There’s also a weird thing about a prince throughout this album. Look into that in your own time if you feel compelled, I’m not.

Listenability - 4/10

Partyability - 0.0/10

Vibe - 80’s video game loading screen

Overall - 3.5/10

Here Come The Warm Jets - Brian Eno

Reviewed on 25/07/2022 by Ben

‘Here Come The Warm Jets’ is the 1974 first full length album from skilled producer Brian Eno, who rose to prominence in the 1970’s through his own production and artistry, but also became a name amongst the like of artists such as David Bowie, U2 and Talking Heads for his production and unique style. ‘Here Come The Warm Jets’ is a very unique album. What was probably quite new at the time, the album is arguably a cross-between glam-rock, alt-rock, psychedelic-rock, bed-rock and rock. It is a culmination of everything that made the 70’s unique, and I’m here for it. It’s weird, it’s funky, it’s catchy yet has powerful instrumental sections and rapid riffs similar to the likes of Rush and Jimi Hendrix, but other parts mellow and soft with slower build-ups and powerful payoffs. To me, it is a statement of expression, just as the 70’s was for many people, Brian Eno did his thing without worrying about repercussion, and it worked. One of the standout elements of this album for me is the variability of the songs, without straying too far from the general thematic and style. For example, ‘Cindy Tells Me’ and ‘Dead Finks Don’t Talk’ are closer to Boston/Bowie tracks, softer with a funkier backboned dark undertones, whereas ‘Baby’s On Fire’ and ‘On Some Faraway Beach’ play into that Jimi Hendrix kind of 70’s rock genre. All in all, I think this album is great. It isn’t one for a party unless you have a very niche audience of Brian Eno fans, but it is great listening on your own if you are chasing after that era of great 70’s releases.

Listenability - 7/10

Partyability - 3/10

Vibe - Some weird twisted hall of mirrors luxury comedy

Overall - 7/10

Santana - Santana

Reviewed on 24/07/2022 by Ben

Hello fans of the site, I know for a fact that all 4 of you have been eagerly awaiting for the end of another rather large hiatus we took, I had to do some bits. Anyway, we know that these tragic reviews are what kept you up night waiting so here we are jumping back in with the self-titled ‘Santana’ by the wonderful Santana, so you’re welcome. Santana is the 1969 first from alt rocker and acid tripper Carlos Santana and his band, and is often regarded as one of the staples of the emergence of psychedelic rock in the 1970s. This album is very short, with heavy focus on the instrumentals and flow rather than the vocals. Halfway through the album there had only been one song with vocals on it, however I didn’t mind this. The synth heavy beat and the funky drums actually made for easy listening and jibing, with the addition of any old sort of instrument you can think of from cowbells to wooden blocks. I’d argue this album is more of an educational experience than an enjoyable experience. You wouldn’t play this for guests visiting, but if you wanted to show somebody the bare bones of psychedelic rock you might show them this. Marmite to many, I actually enjoyed this album. There was little in the way of vocals but that was ok, however I did think more of the songs should’ve had vocals, the ones that did like ‘Evil Mind’ and ‘Persuasion’ were very Jimi Hendrix-esk, and I think I enjoyed them more than the ones without. Despite this though, you could tell that Carlos Santana and his band were finding their feet but also having a bit of fun with it and if psychedelic rock is right up your alley then I’d highly recommend giving ‘Santana’ a listen.

Listenability - 5/10

Partyability - 1/10

Vibe - A Robert Rodriguez movie soundtrack

Overall - 5/10

Melt My Eyez See Your Future - Denzel Curry

Reviewed on 24/04/2022 by Benny B.

Denzel Curry's latest album sees the Florida rapper take an artistic turn away from his past aggressive rap style, showcasing a softer and mellower side. The introspective new album turns away from the raging bangers of 2019’s ‘ZUU’ in exchange for slower instrumental and genre bending beats. The album's theme is best showcased in the liquefying track ‘Walkin’, the lead single from the album. The slow first verse shows Curry’s deeper and introspective side, with lyrics such as “I’m killin off my demons ‘cause my souls worth redeemin” before launching into a faster trap style atop a looping female vocal sample. The song makes the full package however when combined with its ambitious music video, showing Curry on a futuristic star wars esque desert adventure, reminiscent of Pedro Pascal's Mandalorian. ‘Mental’, the sixth track of the album further showcases curry’s genre changing side, with him declaring ‘This is not rap…this more like bebop’. Bridget Perez’s vocals alongside a soft piano recording allows Curry to alternate the speed of his rapping comfortably throughout the short track, being one of the gems of the album.

The T-pain featuring ‘Troubles’ is a catchy addition to the album, with a faster and slick style. It falls short of some of the other tracks on the album however due to some of its weaker and more cliched lyrics when compared to the storytelling style exhibited throughout the rest of the album. The feature heavy ‘Ain't no way’ is another of the standout tracks from the album, with the unexpected juxtaposition between 6LACKS slow and haunting chorus and Rico Nasty’s aggressive first verse. The album then jumps straight into its best track, the star wars reference littered X-wing. Curry’s vocal style is once again slick and undisputed on a track that flows particularly well. The humorous “I don’t want a car, I want an X-wing” line has clearly paid off for Curry, with him exhibiting a full scale X-wing DJ setup in his mind-bending 2022 Coachella set. The short but sonically unique thundercat produced ‘The smell of death’ continues Curry’s adventure. The track shows off thundercats classic bass style however in a more subtle and simplistic way, however falling short slightly of expectations, likely benefiting further from vocals by thundercat himself.

The final two songs on the album really solidify Denzel’s prowess for mastering different genres. ‘Zatoichi’, the Slowthai featuring track based loosely upon the story of the japanese blind samurai, takes a completely new direction, with a drum and bass heavy track. Curry’s vivid simile littered vocals are brilliant, especially the emphatic line “Excruciating pain like Bane breakin’ Bruce Wayne’s spine”. Slowthai’s distorted vocals amid a drum heavy and catchy chorus is sure to please Curry’s ragers, with fast quips such as “life is short, like a dwarf”. This track was a pleasing return to form for the pair following Curry's verse being largely cut from ‘terms’, their collaboration on Slowthai’s ‘TYRON’. The final piano heavy track ‘The Ills’ is a fitting end to the album, wrapping up Curry’s storytelling in a pleasing and finished way in a track that works extremely well.

‘Melt My Eyez See Your Future’ marks a further evolution in Denzel Curry’s sound, improving on 2018s TA13OO and 2019’s ZUU, throwing himself in yet another sonic direction. Although there are a few tracks that fall short, the strength of the rest of the songs means that none spoil the overall piece. A brilliant, well produced and aesthetically pleasing album.

Listenability - 8/10

Partyability - 4/10

Vibe - A dreamy futuristic rap adventure with a piano

Overall - 8/10

Famous Men - Magnolian

Reviewed on 23/04/2022 by Ben

Magnolian is the pseudonym for Mongolian folk artist Dulguun Bayasgalan who explores the different routes that folk music can travel. Famous Men is almost a psychedelic take on folk music, with dark undertones and heartfelt lyrics. I’ve listened to Magnolian for years and I really enjoy his music. It’s fitting for a particular mood, but when you are in that mood it’s perfect. He integrates all the typical elements of folk music, but this album has a lot of flutes and synths, which float in the background. I really like it. Each song in this short album has a very different vibe, but under the same dark umbrella. ‘The Dream of a Ridiculous Man’ feels quite western, whereas ‘Banquet’ feels very Spanish. The album is very relaxed, and the soft vocals paired with acoustic instruments is the perfect combination for quiet listening. My favourite track on the album is actually ‘Banquet’ but the Mongolian version, I found that it was catchier and also confuses a lot of people, but they still listen because it’s catchy.

It is a short project, but it doesn’t need to be any longer. I also think that the album cover is one of the best, if not the best album cover for the kind of music that Magnolian makes. It is simple, yet feels meaningful and soulful which I think is great. I think if you like folk music Magnolian is definitely worth a listen. He is not afraid to explore different styles and types of dark folk music, and integrate all kinds of unusual instruments and sounds into his tracks. I’m a big fan of this one.

Listenability - 7.5/10

Partyability - 1.5/10

Vibe - Mongolian

Overall - 6/10

It’s Almost Dry - Pusha T

Reviewed on 22/04/2022 by Ben

It’s Almost Dry came out today, and it is Pusha T’s most recent album since the critically acclaimed Daytona release in 2018. I’ve always liked Pusha T, he can get a little repetitive at times, particularly in his older work, but with the backing of artists such as Kanye, it appears he has taken a very different approach to his music, so let’s get into it.

‘Brambleton’ is a great intro into the album, the 808’s are in your face, the ad-libs are great it goes pretty hard. I will say that Pusha T’s flow doesn’t quite fit the beat, but it works for me. ‘Let The Smokers Shine The Coupes’ has great production, and Pusha T has stepped up his game on this one, it’s aggressive, it’s in your face and I feel like Push is having a go at me, but I like it. There is also a really interesting piano interlude dotted throughout the track, which fits the vibe perfectly. ‘Dreaming Of The Past’ with Kanye West is my favourite song so far. It’s a classic take on typical Pusha T tracks and the sampling is very fitting. Kanye’s verse could be better, but it isn’t awful. It is slower, but still has that same aggression Pusha T enjoys to portray. ’Neck & Wrist’ with Jay-Z and Pharrell is interesting. It has integrated a different style of flow than the rest of the tracks, but I’m not sure if I like it. See for yourself. I’ll be honest, I could not tell when Pharrell actually says anything but you know he’s there. ‘Just So You Remember’ has a brilliant sample, it’s dark and unsettling, but I believe that is the idea. Pusha T does well on this one, and his lyrics are always fitting for the vibe of the album. ‘Diet Coke’ was a complete shift in mood, reminiscent of 90’s hip hop sampling, the production is top-tier. I feel like Pusha-T could’ve done more on this, but I didn’t dislike it. ‘Rock & Roll’ with Kid Cudi and Kanye is definitely a culmination of all that combined. Kid Cudi sounds like Rick Ross though. Other than that the track was fairly standard, nothing special. ‘Call My Bluff’ has a video-game esk feel to it. I quite liked this one, it was very unique to the album. Production remains incredible, but it was quite slow and if you know me I like a bit of energy, whereas here Push just sounds really tired. ‘Scrape It Off’ with Don Toliver and Lil Uzi Vert is my favourite so far. It isn’t anything like I’ve heard Pusha T do before, which I think was much needed. It’s subtle but hard, and Don Toliver’s verse fits very well into this song. Pusha is having fun with this one, which I like. ‘Hear Me Clearly’ with Nigo was pretty generic and very forgettable. Don’t start the album off with this one. ‘Open Air’ I liked. Pusha T had a bit of a different flow, which was much needed. It wasn’t anything amazing, but more fitting for a new album rather than just carrying on from Daytona. ‘I Pray For You’ with Labyrinth and MALICE was a good outro for the album. The song had religious roots, with organs and choirs introducing the song. The beat switches halfway through was honestly a shock, since it hasn’t happened so far in this album. I liked it. I think the album needed something like this.

All in all, not bad. I think the album was lacking something. I think I just wanted Pusha T to do something a little different, and a lot of the songs sounded very similar. There were little gems hidden throughout the album, but I shouldn’t have to listen to 6 tracks before I get there. Not a bad effort, but could be better. I will say I do love the album cover, and name. I think that is very fitting. Give it a listen.

Listenability - 6/10

Partyability - 2/10

Vibe - Just a really cloudy day

Overall - 5/10

The Green Superintendent - Mako Road

Reviewed on 21/04/2022 by Ben

Mako Road are an indie group from New Zealand, with typically summery rock music that I have enjoyed in the past. The Green Superintendent was a short 2018 release that I felt needed a review, so here we go. This album is very soulful. I enjoy the raspy yet effortless vocals that sit across the album. The first song ‘Glimmer’ has an almost reggae feel to it, mixed in with sunny guitar licks and funky drumming. It’s quite different to your classic indie rock, with what could arguably be referred to as funk being integrated into the music so far and I’m liking it. The second track ‘Ride’ is less upbeat, and very reverb heavy. It’s quite sad, but not depressing with low-key drums and small build-ups throughout the song. It’s a healthy change in the album to prevent it from becoming samey. Whilst I enjoyed this song less, it’s definitely a mood. ’The Green Superintendent’ was great. I actually really enjoyed this song. You can tell the band had fun with this one. The lyrics are meaningful yet fun and the reggae feel still fluctuates about this track. ‘Teenage Lucy’ was also good, lacked variation but still a pleasure to listen to. This album put me in a good mood. I can imagine belting this tune out with friends around a fire. The final track on this album ‘All We Need’ switched it up a little bit. It was like a lo-fi closer for the album, still consistent with that funk. It’s a nice end of night song with a lighter feel to the rest of the album.

I really enjoyed this, I could recommend this to anyone and they wouldn’t complain. It really does chill you out and put you in a better mood, whatever the circumstances. I think this Album/EP is a good example of what Mako Road can produce, and I’m looking forward to reviewing their more recent stuff, which I have throughly enjoyed before.

Listenability - 8.5/10

Partyability - 4/10

Vibe - A cold tequila sunrise by the sea

Overall - 7/10

Donda (Deluxe) - Kanye West

Reviewed on 20/04/2022 by Ben

We’re back. We took a hiatus basically because I couldn’t be arsed anymore but that doesn’t matter. To absolutely no demand at all we have returned, and the daily album reviews will be back, maybe. I thought we’d start of with a bang, since my last review there have been many mega releases from some mega artists, Donda being one of said releases. A controversial album with controversial media attention surrounding it I thought we’d jump right back in with this weird fucking album. You better thank me, Donda (Deluxe) is 1 hour and 48 minutes long. Fuck me. I don’t do this because its fun. Starting off with ‘Donda Chant’. I’d skip this one. It’s just really irritating and lacks any sort of album introduction other than saying it 500 times. Following this is ‘Hurricane’ with the Weeknd. Personal preference, I don’t like the Weeknd, but this song isn’t awful. It sums up what’s to come quite well in my opinion, however it lacks the bite you anticipate from the start of a Kanye album. It’s also unnecessarily long (like this whole album). Kanye’s lyrics appear to recount the nightmares he’s been experiencing in his personal life, but very poorly. It’s like this album was his outlet, but it’s almost bitter beyond everything else.

‘Moon’ did nothing for me. Shame because a Kid Cudi and Don Toliver feature should really go off. ‘Life of the Party’ with Andre 3000. I won’t lie, I went to get a cup of coffee during this one. Says enough. Now ‘Off the Grid’ is a completely different kettle of fish. I liked this song, mainly for the production quality. It’s gritty and in your face with dynamic 808’s which I like a lot. I feel like most of this album should’ve been along similar lines. Carti’s verse still carried this song. ‘Jail’ was good, I enjoyed the production a lot, and the flow suited the song quite well. I have nothing else to say about it, it’s too long. I’m bored already everyone, only 21 tracks left. Now ‘Praise God’ is next, the intro is great I thought it fit really well however this is basically a features song. I really liked Baby Keem’s verse, I think this album would be better suited to Baby Keem’s style of rapping honestly. Production is great though, I have no complaints. Now ‘Come to Life’ was interesting. Different vibe to the songs so far, but I don’t mind that. It felt rather spiritual and soft, but not loads to it. ‘Believe What I Say’ was actually pretty funky, not amazing but I liked it. ‘No Child Left Behind’ was just boring and I skipped it after the first minute. I’d avoid if you can. I’ll try skip through a couple of songs, we say we keep it short but an hour 40 is way too long to keep a review short.

Ok so I’ve listened to the next 10 songs and I can honestly say I’m very unimpressed. The album lacks heart and soul, and doesn’t incorporate any of the old Kanye we know and love. It’s nearly as whiney as an Ed Sheeran album. ‘Pure Souls’ is the next track up where I actually felt something. It’s a decent song, until Kanye hops in. The rest of the album is just the same and ultimately it is an awful album. It’s disappointing and a huge waste of my time. Every song sounds the same, and I found myself looking for that sweet break from the same dreary bars and beats with the odd standout song. I hope Kanye changes a lot of things when he releases his next album.

Listenability - 3/10

Partyability - 2/10

Vibe - Waiting for a bus that doesn’t show up

Overall - 2/10

Few Good Things - Saba

Reviewed on 12/01/2022 by Ben

Few good things is the third album from Chicago based rapper Saba and I will say I was excited for this release. I’ve been a fan of Saba for a hot minute, anything from his Dreamville features to his singles and EP’s I really do enjoy everything Saba releases. This album starts off quite slow, with a melodic introduction and snappy vocals the album begins with a bang. A couple of tracks in and this is a masterpiece. I’ll say it now, The production is top notch. The album consists of mostly upbeat low-fi guitar riffs and light drums and claps which give the album a warm feeling throughout. Saba talks about his family life and growing up in this album, touching upon relationships, family and the rap culture he is surrounded by. Further in the album the songs become become more violent, with heavier beats and top tier sampling. I found that in this album that Saba has explored all kinds of different genres and musical styles, which in my opinion is makes the album quite diverse and demonstrates how talented Saba is as an artist. It has a song for every kind of mood or scenario. My favourite tracks on this album are ‘an Interlude Called “Circus” and ‘Come My Way’ because of how upbeat yet different they are. However I did find it hard to choose favourites, there isn’t a song on this album I don’t like. This album also has some great features.

I think Saba has lived up to his reputation with this album, it’s different but in a good way and is a very easy listen, I would recommend anybody to listen to this album, it’s great.

Listenability - 9/10

Partyability - 6/10

Vibe - A morning cigarette & a coffee

Overall - 8/10

STOKELEY - Ski Mask The Slump God

Reviewed on 11/01/2022 by Ben

I’ve been a Ski Mask fan since his first singles he released with XXXTENTACION, 2016 was a weird year. Either way, STOKELEY begins with a slow, melancholic track which took my by surprise. Ski mask is nearly singing, and it isn’t trash. I like this, because he is just proving how versatile he is as an artist by demonstrating something new that people have not heard before. I find this quite amusing given the next track is ‘Nuketown’ where we find Ski Mask and the late Juice WRLD just screaming like fuck. This is quite a good introduction to Ski Mask’s style of rapping if you haven’t listened to him. It is a good track. ‘Foot Fungus’ is next which is another popular one. With this album, I find that Ski Mask raps the same yet it’s so very different. His flow is like a water slide on acid, weirdly fun, different and enjoyable. The production on this album is also stupendous. I think this album has some of the best beats produced on a rap album I’ve heard, and Ski Mask floats over the beat perfectly. I could not think of anyone else who could destroy these tracks like Ski Mask does. I enjoy my fair share of rap music and I’d go as far to say Ski Mask is up there with my favourites.

I will say, some tracks on the album aren’t quite as good as I would’ve liked. Tracks such as ‘LA LA LA’ that involve just shouting basically I’m not that big a fan of. I enjoy a Ski Mask track where he just spits fast as fuck on a chirpy beat but I still don’t dislike the shouty style of rap. Some of my favourite tracks on this album are ‘Cat Piss’ and ‘Unbothered’ because of the way Ski Mask delivers his verses and the variability he includes in his flow, as well as the speed. I think this album is great, I wasn’t that big a fan of The Book of Eli which was his previous album but I think Ski has taken the good aspects of that album and integrated them into this new album plus more. This album also has good features and is quite fun to listen to all in all. Well done.

Listenability - 7/10

Partyability - 4/10

Vibe - An acid waterslide

Overall - 6.5/10

Funk Wav Bounces Vol.1 - Calvin Harris

Reviewed on 10/01/2022 by Ben

Like most early 2000’s kids Calvin Harris has made a consistent reappearance throughout our lives, with both bangers and sellout tracks, Calvin Harris is a tricky one to understand. 2017’s Funk Wav Bounces Vol.1 is a collaborative album with producer Funk Wav and numerous rappers and other artists. The album mainly consists of funky, summery beats with hip-hop overlay from artists ranging from Snoop Dogg to Frank Ocean to Lil Yachty. I like this album, it puts you in a good mood and is well made with some good features. I found it quite reminiscent and similar to his 2014 album Motion, which I still listen to regularly. I would argue that this album, bar a few tracks, would not go down as well at a party as some of his other work, but the tracks are easy listening, catchy and would go down quite well on most social occasions. I found with this album that many of the songs aren’t that memorable, and to me seemed more like album fillers rather than standout tracks. Despite this, Calvin Harris has not skimped on the “funk” aspect of the project, and has integrated this album with many similar traits from his debut album I Created Disco, which is my favourite Calvin Harris album, so I am a fan of that.

The heavy use of synths and snappy bass-lines creates a basis for some great beats, which I will say this album has. However, in my opinion some of the artists features really aren’t that good, and I know that the tracks would be better with a different feature. ‘Prayers Up’ with Travis Scott is a good example of this. I am a fan of Travis Scott’s features and music, but some rappers on this album don’t quite slot in as well as others and seem to be on the album just because they are a big name. On the other hand, songs such as ‘Slide’ with Frank Ocean and Migos work very well with the features. Ultimately, I like this album, it’s groovy and very danceable and integrates two different styles of music (rap and funk) together quite well for the most part. Despite this I still prefer Calvin Harris’ older work but this album is quite sufficient for the most part. Not bad.

Listenability - 8/10

Partyability - 6/10

Vibe - ASOS ad

Overall - 6/10

BELIEVE IN ME, WHO BELIEVES IN YOU - Aries

Reviewed on 09/01/2022 by Ben

The second album from independent artist Aries, who shoots his own videos, writes his own music and produces it. BELIEVE IN ME, WHO BELIEVES IN YOU is everything fans have been waiting for for the last three years. Aries has released teaser singles over the course of 2020 and 2021, which have been a very good taster of what’s to come. Aries has catchy hooks, incredible production and great continuity and flare with this album. Starting off, the thematics of the album are great, I love the shitty sketch style he has integrated into the cover of the album and singles, and even in his music videos, which are shot incredibly. The album begins with ‘BOUNTY HUNTER’ which is one of my favourite songs on the album, mostly due to the memorable intro, weird production and slightly different style approach than fans are used to. This album is more gritty than his previous work, Aries has taken a leap of faith integrating new instruments and production style into this album and it has worked. ‘RIDING’ is next up as a new release, and again, what else can I say? It is a head bopper and goes down well even at parties. ‘ETA’ takes a more soulful approach, yet still has grit and groove to it. ‘ETA’ is about as sad a song Aries gets, which isn’t particularly sad, but it does give off a different vibe to the previous songs. I’m still a fan though. ‘ONE PUNCH’ was released as a single before the album and it immediately caught my attention. I liked it, and the animation Aries did as a video to this song is perfectly fitting for the song. The only downside is that this was released early, which set my expectations very high for the album. Whilst I still very much enjoy this album, I wanted just a bit more and was honestly disappointed when I listened on release because the songs on first listen are quite samey. It took a good few listens to really get into it. ‘EASY’ is another less up-beat song and probably my least favourite on the album, but I do still enjoy it, whereas ‘KIDS ON MOLLY’ is just great, I love it. It reminds me of summer, and where and what I was doing when it came out. This might just be personal bias because it’s quite a mediocre pop song, but I have fond memories of this.

‘HOW RUDE’ is my favourite song on the album, the chorus has stuck with me since release and I always find myself having a dance to the catchy guitar licks, vocal hooks and top tier beat. ‘DITTO’ is a close second because I overplayed this song too much on release. I think this song is a subtle masterpiece. The sampling is perfect, the lyrics are great, and the vibe was wintery and sunny at the same time. I also have fond memories of this track. The last three songs on this album are very mediocre. ‘DESPERADO’, ‘OUTDATED’ and ‘WHEN THE LIGHTS GO OUT’ don’t stand out particularly in this album, but they are good filler songs. I wouldn’t expect Aries to have every track as a bop, and these songs are still good but slightly samey and not very memorable. I still have no complaints though. Despite this I ultimately think this album is a masterpiece, coupled with the visuals, build-up, videos and just general thematics I think Aries has ticked every box. These songs are great to listen to on your own, at a party, in the shower or anywhere. It’s a crowd pleaser that has heart and soul, and you just know that Aries has put every ounce of effort into this album and it definitely shows. One of the top releases of 2021 in my opinion. I look forward to three years when the next one come out.

Listenability - 8/10

Partyability - 6.5/10

Vibe -  Any

Overall - 7.5/10

LP! - JPEGMAFIA

Reviewed on 08/01/2022 by Ben

JPEGMAFIA’s music is what some might regard as an acquired taste. For me, I had to listen many many times to appreciate and truly enjoy what JPEGMAFIA was producing, because to me it was just so out there and bizarre but it’s for those reasons I now listen to JPEGMAFIA on a regular basis. LP! Is the sixth album release and most recent by Peggy. It’s very hard to describe the kind of music JPEGMAFIA has made for LP!, equally just as bizarre as his previous work, yet I found it to be more erratic and jumpy, with more beat switches, horns and low-key yet powerful vocals. Peg has stepped up his sampling game, with some seriously interesting production which he all does himself, which in my opinion is pretty impressive. Songs such as ‘NEMO!’ and ‘ARE U HAPPY?’ are some pretty good examples of this, and are some of my favourite tracks on the album. I was hoping for a more upbeat take on the album, since in my personal opinion that is when JPEGMAFIA really demonstrates his talent, in both production and rapping. Songs such as the pre-release single ‘BALD!’ is what I anticipated, but slower and more beat-focussed songs and interlude tracks is what was mostly received, although songs like ‘BMT!’ were well received. I have no complaints about the slower take on the album, but bopping to JPEGMAFIA with the boys is different gravy when Peggy is going off. Regardless, slower songs such as ‘DAM! DAM! DAM!’ and ‘KISSY, FACE EMOJI!’ I was also a fan of and could easily vibe with. I think ultimately LP! Is not a bad effort from JPEGMAFIA, but to me it doesn’t feel like an album but more of a compilation, with songs he had stashed away rather than creating anything new. I would very much like to see JPEGMAFIA maybe try something completely different without losing his trademark style. Not a bad effort overall though.

Listenability - 7/10

Partyability - 4/10

Vibe - A really short person getting angry

Overall - 6/10

= - Ed Sheeran

Reviewed on 07/01/2022 by Ben

Buckle up. This one is gonna be a bumpy ride. As many of you know, we slate Ed Sheeran very very frequently. He is ultimately a sell-out, which I find quite a big shame, as his previous work on albums pre-divide being top notch pop music that still goes down a treat today. So what happened? I used to be an Ed fan, I have tickets to go see him and I still don’t know how. Thank Will Richards for that one. Now Ed released several singles prior to the release of this album, such as ‘Bad Habits’ and ‘Shivers’ which went down a treat on that stupid app TikTok, which made me dislike the songs even more. However, we go into this review completely neutral, especially having not listened to it properly yet. Starting off with ‘Tides’, I was almost shocked, the first couple of bars had an almost (don’t hate me), Sam Fender feel to it, with the powerful minor electric guitar chords and heavy drums, but then Ed started singing and I kind of lost that initial excitement I had. This song has nothing special to it, it’s a soppy pop song and I forgot about it straight after I listened. Next up is ‘Shivers’. What can I say? It is overplayed and annoyingly catchy, which makes me hate myself for almost liking it. It is impossible not to hear this song everywhere you fucking go. A generic pop song, with absolutely no trace of the old Ed, there’s barely even any guitar which is his whole niche, I wouldn’t even be surprised if you told me Ed wasn’t ginger anymore. The next track is ‘First Times’. This is better, it’s very reminiscent of the slower tracks found on ‘+’ and ‘x’ which I quite enjoy. Ed has branched out though, rather than just his guitar, he has integrated orchestral instruments which makes it sound more like a Sam Smith song than Ed. Not awful though. ‘Bad Habits’ is next up, do I need to say anything. This song is shit.

‘Overpass Graffiti’ does not give me much more faith, it’s just so generic. There are funky bass-lines in this song, which I typically always enjoy, yet I really don’t like it on this album. I don’t really have much else to say about this song, it’s not good. This album just gets weirder, ‘The Joker And The Queen’ sounds like a fucking Adele song, It doesn’t even feel that sad, just gives me wet-blanket vibes. Again, not a fan. I can’t even remember what ‘Leave Your Life’ sounds like it was that boring, and the track name is awful to boot. ‘Collide’ is just as bad, I had faith, with the beat beginning quite funky, then Ed started singing. Now, I have something to say about ‘2step’. I like it. Ed woke up and decided to make a half decent song with this one. His rapping, whilst usually slated, brought some much needed punch to this album. It’s not a great song but by god was it needed after the whining Ed has been doing so far. ‘Stop The Rain’ was pretty bad, it was like shit Maroon 5. That’s all I have to say. ‘Love In Slow Motion’ was soppy, but not in a good way. I didn’t feel anything listening to this song, I just got very bored. I got the impression Ed was trying to recreate songs like ‘Perfect’ and ‘Thinking Out Loud’ but fell flat on his face with this one. ‘Visiting Hours’ next, a popular one. I have no idea why. I didn’t enjoy this. Next up is ‘Sandman’ which in my opinion is just fucking weird, it was like a song by a Jason Mraz cover, but I actually like Jason Mraz. ‘Be Right Now’ is the last track on the album, and basically sums up the whole album. It is wishy-washy and I really didn’t enjoy listening to it. I am really interested to understand Ed’s thought process when making this album, because it just isn’t that good at all.

Ultimately, this album was a bust. I didn’t enjoy it, I don’t have any standout favourites and I wanted the ground to swallow me up for the 49 minutes I spent listening to this album. I’m disappointed honestly, I was a big Ed fan, but that seems not to be the case. I think he’s spent out, and we might be seeing the end of Ed in the couple of years, so all in all the concert should be interesting.

Listenability - 2/10

Partyability - 3/10

Vibe - Taking a shit in a bin

Overall - 2/10

blkswn - Smino

Reviewed on 06/01/2022 by Ben

The 2017 album blkswn is the first album released by Chicago-based rapper Smino and is a serious wake up call to Smino’s music. The album begins with ‘Wild Irish Roses’ which introduces the project with a soft and gentle look into what is to come. The album follows this style throughout, with Smino’s vocal range knocking about all over the place, which is quite intriguing and surprisingly listenable. The vocals are fast and slow simultaneously, and integrated with the vocals of his numerous features like a game of aggressive table tennis. I like this album. It’s certainly for a particular occasion, a sort of lights dimmed, smoking and relaxing sort of feel to it. Smino even treats us by demonstrating his singing ability, not just his rapping. In my opinion, this album lacks some variability. Listening to it did feel like one really really long ass song, and at 18 songs, this took some time. I wanted to fall asleep, but not in a bad way. My favourite tracks on this album are ‘Innamission’ and the 8 minute long ‘Amphetamine’ to sign the album off. These are the songs I found most upbeat, which in my opinion complimented Smino’s rap style the best, which is a shame becomes the majority of songs on this album are too slow for my liking. All things considered, not a bad first effort from Smino, and I know for a fact he is open to switching up his style as he demonstrates in his later work.

Listenability - 6.5/10

Partyability - 4/10

Vibe - Mellow yellow fellow

Overall - 5/10

Juno - Remi Wolf

Reviewed on 5/01/2022 by Ben

I’m a big Remi Wolf fan and I’m proud to admit it. This album just puts you in a good mood whatever the weather. The album is a lot to take in, it’s kind of like a colourful punch right in the snout, but in an oddly enjoyable. Juno is Remi Wolf’s second album in 2021, and delivered exactly what I had anticipated. The album has a real funk feel to it, with bouncy baselines, erratic vocal effects and lyrics that illustrate themes such as sex, money and Anthony Kiedis. Some of the standout tracks to me are ‘Street That You Live On’ and ‘Sexy Villain’ because of the sheer bounce the tracks deliver. The tracks each have their own characteristics, and I’d have a hard time finding songs that are samey. It is as if Remi Wolf has attempted to make listening to this album like a drive along rainbow road, quick, slow, up and down. The album is really quite a journey. Some of the slower songs I’m not the biggest fan of, but these are overshadowed by the majority of good tracks on this album. I think Remi Wolf has delivered a good project, and is setting herself up for bigger things in the future.

Listenability - 7/10

Partyability - 6/10

Vibe - If Candy Crush had a soundtrack

Overall - 6.5/10

Kings & Queens - Jamie T

Reviewed on 04/01/2022 by Aidan

Kings and Queens begins with ‘368’, its industrial sounding bass lines start the album off with a bang. Typically known as an indie singer, Jamie T switches up his style on this album, integrating rap, and fast paced vocals to keep the listener intrigued. Catchy hooks and aggressive lyrics show how versatile Jamie T is as an artist. A underground indie staple that only true indie fans will know, Jamie T is a gem that is always a pleasure to listen to. The album gives the impression that Jamie T is almost looking for himself through his music and this really resonates with the listener. The tracks are volatile and can switch style and mood in an instant. Similar traits to Rat Boy, Jamie T can be regarded as the progenitor for that style of music. If I had to pick songs that aren’t quite up there are ‘Spider’s Web’ and ‘The Man’s Machine’ are the least favourite, but still good. Sometimes you get the impression that Jamie T is quite pissed off, but looking into the message of particular songs, it is not the case.

This album has songs that could be played in a number of different settings, with ‘Sticks & Stones’ being brash and boisterous, for the boys to singalong too. In my opinion, this album is a solid album and has something for everyone. He has covered all bases and I would recommend for all music listeners to have a crack.

Listenability - 8.5/10

Partyability - 6/10

Vibe - You’re working class, cutting about town.

Overall - 8/10

Diary - Sunny Day Real Estate

Reviewed on 03/01/2022 by Ben

The debut album from Sunny Day Real Estate is an alt-rock album, influenced by the likes of the Smashing Pumpkins and Pearl Jam, wistful melodies tiptoe over the acoustic guitar, whilst building up to explosive chorus and guitar riffs that go above and beyond what you are expecting. Sunny Day Real Estate are the definition of live fast and die young, with Diary the first album of 6, released in 1994 and the final in just 2000. The album is good, it is a classic example of alt-rock in the early 90s, and delivers powerful tracks that you would bang your head to before an exam. The album has a couple of tracks that I would deem rather samey, and don’t really standout that much. Songs that personally stood out to me because of their almost bitey guitar riffs and attention-grabbing introductions are ‘In Circles’ and ‘Round’. I would listen to this album again, but I’d rather just listen to Smashing Pumpkins. They are a little bit louder and full on than the smashing pumpkins, and a little more moany. I’ve listened to this album twice and I still can’t really tell you what any of the lyrics say or mean. But then again mumble rap exists somehow so yeah. A decent effort, not my favourite but also not bad.

Listenability - 5.5/10

Partyability - 3/10

Vibe - Having a meal you don’t mind for dinner, but you’d prefer takeaway.

Overall - 4.5/10

Sunlight - Spacey Jane

Reviewed on 02/01/2022 by Ben

The first album from aussie indie rock group Spacey Jane, Sunlight definitely delivers. The first track ‘Good for You’ introduces the album with a summery guitar riff that immediately makes you want to listen on. This is the perfect album to play when bbq’ing with your mates in the sun, it is uplifting and joyful and makes you want to grab a beer from the fridge. I had high hopes for Spacey Jane following the release of their single ‘Feeding the Family’ in 2017, which had me dancing on the table to the catchy vocals and guitar riffs that never get old. I will say, on Sunlight, some songs to begin to blend into each other with many being samey and do not standout to me personally. Despite this, songs such as ‘Skin’ and ‘Booster Seat’ cause me to completely ignore this standpoint. Melancholic and just so fucking summery you can’t not be having a good time listening to Spacey Jane, whether it be in the car, shower or even in bed, I can guarantee you will enjoy what Spacey Jane have to offer.

Listenability - 7/10

Partyability - 6.5/10

Vibe - Aussie ripper summer

Overall - 7/10

Pixel Bath - Jean Dawson

Reviewed on 01/01/2022 by Ben

Pixel Bath begins with the punchy track ‘Devilish’ which has since become my favourite. The electric guitar licks, common throughout this album make it stand out amongst many other “anti-pop” albums, and the insanely catchy hooks make some of the tracks on Pixel Bath really resonate with me, finding myself playing them consistently at both parties, and just on my own. With many of my friends asking for the names of said songs frequently. Jean Dawson has created a genre-defying album, that integrates whatever music he was listening to at the time into a rhythmic rap album that ticks all the boxes. His vocal flexibility on this album also impresses. On certain tracks Jean Dawson has taken an aggressive approach, ‘Shiner’ being an example track, and melodic on others. This dynamic range makes this album suitable for any mood, and has something for everyone. A completely featureless album, apart from A$AP rocky, on ‘Triple Double’ which has preceded to become a match made in heaven. Some standout tracks to me were ‘Dummy’ and ‘Bruiseboy’. In my opinion this album is really good, and quite unique compared to other alt-rap albums I’ve listened to. Well done Jean.

Listenability - 7.5/10

Partyability - 6.5/10

Vibe - I’m high writing this

Overall - 7/10

Be - Common

Reviewed on 31/01/2021 by Ben

A staple in jazz rap, common’s 2005 release Be was an immediate hit. The light piano riffs, powerful saxophone and synthesizer hooks set the stage for Common to glide over. Common has been around longer than you, with features on albums such as ‘The College Dropout’ and ‘Man On The Moon: The End Of Day’ without you even knowing. His flow is freakishly Kanye-esk, hence their working relationship, with Kanye featuring on song ‘They Say’ with John Legend. The album is mellow yet funky, and would highly recommend to anybody who is an early Kanye fan and is needing a rap album to remind them of times they used to smoke bud by the fire and chill out. Some standout tracks to me are ‘Be (intro)’ and ‘Testify’ for the catchy bars, and memorable melodies. The sampling is also done magnificently, with ‘It's Your World (Part 1 & 2)’ containing a sample of ‘Share What You Got’, performed by the Modulations, complimenting the track perfectly.

I seriously enjoyed this album, and I highly recommend you give it a go.

Listenability - 9/10

Partyability - 5/10

Vibe - Doing bowls down the beach

Overall - 8.5/10

DON’T LET IT DIE - HIDDEN PPL

Reviewed on 30/12/2021 by Ben

The first album from small artist HIDDEN PPL, DON’T LET IT DIE was a pleasure to listen to. The earthy, yet simple melodies compliment the vocals very well and the production is top notch from such a small artist. Tracks such as ‘DRUMMER’ and ‘ROMANCE IN THE PARK’ stood out particularly to me, with fast paced vocals and a twisted trap style, HIDDEN PPL really have made some genre-bending tracks that are better than a lot of the shit being released these days. I hope that they gain more traction, and any new releases mirror the music that they have released previously. I am also a big believer in an album having character, with common themes throughout, from album cover to last track. The project is a good length at 12 songs, with an impressive album cover that suits the vibe. All in all, a big fan.

Listenability - 8/10

Partyability - 6/10

Vibe - Lake district in the summer

Overall - 7/10

Certified Lover Boy - Drake

Reviewed on 29/12/2021 by Ben

Certified Lover Boy is the highly anticipated 6th album from Aubrey, and at 21 tracks long it has taken the piss to be released. I was almost excited for this album but I’m torn. This review might provide insight into why I feel this way. The intro to the album is weird. The ‘Michelle” sample from the Beatles is strange, and Drake struggles to find a catchy flow over the tune. People say they enjoy this song but I think it’s quite shit. Drake is just saying words.

Following this, the production actually improves. Songs such as ‘Papi’s Home’, ‘Way 2 Sexy’ and ‘Knife Talk’ have a funky beat, reminding me of the amazing production on ’Nice For What’. A slightly different approach for Drake. I found on this album quite a few songs stood out with catchy hooks and, yet others lack that entirely. See ‘Champagne Poetry’ as an example. This album really says a lot about Drake in my opinion. It’s like he is getting in tune with his feminine side which is really just weird, especially from a man that was beefing Pusha T. I think he’s just having a moment. The album cover is also up there with the worst I’ve seen in 2021, however it is memorable so I will give him credit for that.

Some stand out tracks on this album are ‘Fair Trade’, ‘Girls Want Girls’ and ‘IMY2’. I will admit, whilst I have not had many of this album’s tracks on repeat, ‘IMY2’ w/ Kid Cudi, is in my opinion the best song on the track and I have been bumping it for a while. Some good features on this album also as per usual. I also respect drake for having some hits without them blowing up on TikTok, these days it’s fucking impossible. Please correct me if I’m incorrect on that. I will be pissed if so.

Ultimately, this album is a cushy effort from drake with a few stars. The whole album is relatively soft, and easy listening. Good if you are trying to sleep. It reminds me of his highly acclaimed album ‘Take Care’. I am looking forward to another 3 years before another drake album. Give it a listen, because this is an interesting one.

Listenability - 6/10

Partyability - 5/10

Vibe - You think you’re really hard but love a bath

Overall - 5.5/10

Sometimes I Might Be Introvert - Little Simz

Reviewed on 28/12/2021 by Will

The very moment those drums hit you in the opening seconds of this album you know you’re in for a treat. And then when those horns come in, only a few bars later, you get the odd feeling you might just be listening to a masterpiece. In an instant, the epic nature of the album reveals itself and by the time it breaks down into its fantastic guitar driven groove and you hear the powerful declaration of “The kingdom’s on fire, The blood of a young messiah,” from Simbi herself, she has you fully locked in and makes you aware of the fact that your attention is staying in one place (and one place only!) for the next sixty five minutes. After her last full length LP, “Grey Area”, it was already pretty clear to any of those in the know that we had a new rap ‘goddess’ on our hands, for lack of a better term. And it seems Simbi realised this too, as well as there being quite simply no other way to put it, with tons of religious imagery scattered throughout the album often used to deify herself. But this isn’t your dealer’s favourite rapper simply flexing about their Rolex; this is a unique voice in the music landscape coming to terms with and relishing in the fact that they are at the top of their game and in their artistic prime. For example the hyper aggressive track “Speed”, which features Simz comparing herself to the likes of Kanye. The track is a bit of an outlier in the track listing in terms of its instrumentation and energy, however it goes so fucking hard that’s it’s impossible not to have a good time for its duration and it’s lyrical contents provide it with significant relevance to the album’s narrative; especially with how it’s followed up.

Simbi follows up “Speed” with the brilliant and punchy Jay-Z-esque cut ‘Standing Ovation’. The song finds Simbi reflecting on her career and her journey so far while wrestling with her new found position as a key figure in rap. Simz makes the breakthrough that her new found status now means her words will be just as influential to the future as the words from the greats that came before her, who have allowed for the artist that she is today. All of this, along with a luscious, orchestral instrumental which can be found on so many of this fantastic crop of tracks, makes for easily one of the best rap tracks of the year. Other highlights on the track listing include “Woman”: an elegant and anthemic duet with Cleo Sol that celebrates womanhood and finds Simbi paying tribute to the women that inspire her. It’s a little spot of girlboss genius on the album with complex wordplay that wonderfully pays homage to the cultural differences and influences women make around the world: “Brooklyn ladies, know you hustle on the daily, Innovative just like Donna Summer eighties.” Another highlight, and perhaps my personal favourite spot on the album, comes in the form of the grimey and heartfelt “I love you, I hate you.” Here Simbi opens up her relationship, or lack-of, with her father and it requires no further introduction. The track speaks for itself. It proves without a shadow of a doubt that Simz is just one of the best in the game right now.

The album is tied together with a series of interludes which, while are equal parts cinematic and musically rich, can tend to feel quite bloated and I was often left feeling the runtimes resulting in inevitable skips on re-listens. Nonetheless, Simbi’s conversations with her subconscious (voiced magnificently by Emma Corrin) provide so much insight into her character and feed brilliantly into the themes of the entire LP.

Listenability - 10/10

Partyability - 5/10

Vibe - Enlightening to the soul

Overall - 9.5/10

Blind, this summer - kadiata

Reviewed on 27/12/2021 by Ben

I enjoyed this album for a number of really bizarre reasons. The first being the Integrated synthesiser. Giving the album a mild late 80s feel, mixed with modern rap. It has flows that ride the beat nicely, with melodic hooks that are actually quite catchy. There is also quite a low-fi feel to many of the tracks which make it easy listening. The dynamic between tracks is ok, possibly too long. Because as cool as you might think it is, nobody wants to hear people talking on a song. On many of the tracks, such as ‘Bebigerl’, the Afrobeat style is quite prominent, and feels kadiata is trying to integrate his background into his music whilst keeping a London-based flow which is a nice touch. The project is ultimately quite catchy, and a good first attempt at an album from a producer. Hence why the beats are flawlessly made. I found the standout songs to me were ‘Blindside’ and ’99 Ways’ with some really memorable bars, however others such as ‘Hold Me Back’ had quite boring bars, with a lot of fucking talking I’ll tell you that much. More of an EP than an album ‘Blind, this summer’ is a short, sound album, however is quite easily forgotten. The songs are catchy when listening, yet you don’t have it on repeat in the car. I wouldn’t play the majority of songs at a party with one or two exceptions. Not bad overall.

Listenability - 8/10

Partyability - 5/10

Vibe - With the missus, but you’d rather be with the boys

Overall - 6/10

Alvin and The Chipmunks (OST) -

Alvin and The Chipmunks

Reviewed on 26/12/2021 by Cal

What can I say about this beautiful album, a true staple of 00’s animated movie soundtracks. Composer Christopher Lennertz has composed such a near-perfect track list consisting of both original and parodied songs. The majority of songs on this album have a strong feel good vibe and will help transport you and your friends into the chipmunk-verse and back into your childhood. The well positioned track list helps you to forget that you are listening to an album made for kids under the age of 10 and autistic mfs. Parodied songs such as ‘Bad Day’ by Daniel Powter do an excellent job of replicating the original, and fresh original tracks such as ‘Follow Me Now’ particularly stand out in this album. If you have this on the aux you are definitely valid, and if you listen to it mashed it’s about twice as good.

Listenability - 7/10

Partyability - 7/10

Vibe - Your friend’s 8th birthday party in 2009

Overall - 7/10

Badkid - Bakar

Reviewed on 25/12/2021 by Ben

What an album. This might be one of the best albums I’ve heard in a long time. Bakar has catchy hooks and melodic yet funky beats. It is a mix between hip-hop and modern day alternative music, which is a tricky dynamic to nail, and he has done perfectly. A brilliant album to listen to if you’re getting high, but also has songs that would go down a treat in a party. Picking favourites with this album was tricky but ‘All In’, ‘Handful’ and ‘Big Dreams’ all stand out. Catchy, relevant, yet also melancholic, this album ticks every box. If you haven’t listened to this album I highly recommend. I look forward to seeing what is to come in his anticipated 2022 release ‘Nobody’s Home’. FYI this is not me sucking off Bakar, this album is truly incredible.

Listenability - 9/10

Partyability - 7/10

Vibe - Smoking up

Overall - 9/10

Scenic Drive (The Tape) - Khalid

Reviewed on 24/12/2021 by Ben

This album is ok. A mediocre pop album with some good features. I can picture myself on a beach somewhere smoking bud and drinking beers. Not an everyday listen. The majority of songs are very vanilla. The standout songs to me are ‘Present’ and ‘Scenic Drive’. The features honestly carry this album, although you have to respect Khalid’s hustle. Definitely not a top ten album in my eyes. Would not play a single song on this album at a party. Maybe making sweet love, maybe not. There are better albums out there of the same genre, however it beats the bullshitty pop music that is being spewed out these days. A solid effort overall.

Listenability - 7/10

Partyability - 3/10

Vibe - Scenic drive (worrying if it didn’t)

Overall - 5/10

TYRON - slowthai

Reviewed on 23/12/2021 by Ben

Ultimately a semi-good album. I have been a fan of slowthai since his 2019 release ‘Nothing Great About Britain’ however this album in my opinion does not compare. Highly anticipated, I’d be lying if I said I wasn’t disappointed. This album has a mix of both incredible singles such as ‘feel away’, ‘nhs’, and ‘MAZZA’, and blasé songs that have no character to them whatsoever. With the release of the early singles my hopes were high, but the majority of songs did nothing for me. New songs such as ‘push’ (with deb never) and ‘terms’ (with Dominic Fike & Denzel Curry) were a welcome treat, but do not save the album from the bland filler songs. However, I can appreciate on certain songs he has integrated his aggressive tones with melodic vocals which is quite a contrast from his previous work, and help the album somewhat standout in that sense. Some great features also help add the much needed character to this rap album, making it a mediocre effort in my opinion. Taking this into consideration ‘TYRON’ is still a solid staple in slowthai’s discography and I look forward to seeing what slowthai will do next, ideally without spitting on anyone.

Listenability - 7/10

Partyability - 6/10

Vibe -  Wife left and you’re pissed and sad

Overall - 7/10